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'Deep Laminated Grigne' Scoring Pattern Dismissed as 'Performative' by Local Production Baker

Forty-one seconds a loaf, and the morning does not wait.

Derya Aydıner 3 min read The Baker's Bulletin
'Deep Laminated Grigne' Scoring Pattern Dismissed as 'Performative' by Local Production Baker

Vera Ostrander read the notice at 3:40 a.m., taped to the deck-oven hood by her night lead: a flyer for Saturday's scoring clinic at the St. Bride's hall, promising instruction in the deep laminated grigne, all levels, bring your own blade. Ostrander Breadworks sits on Dunham Street in the Lower Third, where three hundred batards leave before the sun does.

The technique, as taught: three to five parallel cuts, thirty degrees off vertical, eight millimetres deep, staggered so each ear stacks behind the last like shingles. Marnie Kelso, who runs the clinic, put a slow-motion version online in June. It has 1.4 million views and a great many bad reproductions in home kitchens.

Ostrander's objection is not aesthetic. She objects on gas. Her dough comes off the mixer at 24.8°C at 78.0% hydration and spends a night in the retarder. A single score opens a controlled seam for oven spring to lift. Three cuts at eight millimetres open a vent, and the carbon dioxide the loaf has spent fourteen hours assembling leaves before the crust sets. What comes out is wide, flat, and gummy at the cut edge. The ear tears away at the shoulder because there is no shoulder left to hinge on.

Then there is the arithmetic. A single score on a batard takes her crew six seconds. The laminated grigne takes forty-one. Across a three-hundred-loaf run that is two hours fifty-five, plus blades, which now need changing every forty loaves instead of every ninety.

"Nobody is asking anybody to do three hundred," Kelso said by telephone, unprompted, before this paper had finished asking its first question. "The grigne is a conversation between the blade and the skin. Speed is a thing you bring to a factory, not to a proofing basket."

Dorian Iverson of the regional standards board has issued an advisory, as Iverson does whenever a practice acquires a following: grigne depth six millimetres nominal, tolerance two. Competitors now quote its key line at one another: "The ear is structure. Cut past structure and you are no longer scoring; you are opening a window."

Harold Nix has kept his own tally since spring, seconds from lame to bench at every competition table he can reach. Median standard score: 6.4 seconds. Laminated: 38. He has offered, twice, to chart it at the laundromat corkboard.

Ostrander has not banned anything. Her hand-amended hood notice says the clinic is welcome on Dunham Street, Saturdays, 6 a.m., bring your own blade, and every attendee will cut one demonstration batard into the actual run.

She has also started laminating one loaf in twelve. The deep score marks which batards go to the retail counter and which go to the cafés by the pound. Forty of the marked loaves moved in an hour last Saturday at four dollars more than the rest.

The pattern now means exactly one thing at Ostrander Breadworks: this one is not going to a café.

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Comments (4)

OJ
Oona Jovic September 29, 2026
Three hundred batards and a notice still taped to the hood. A good scraper would have settled this before anyone learned a fourth cut.
DV
Dorian Valen September 29, 2026
I would like to hear more from the night lead, whose sole contribution is apparently to tape a document at a height suitable for blame. Also, "all levels" sits rather uneasily beside eight millimetres. Some of us were assured there would be no measuring at St. Bride's after the pew incident.
MT
Mina Thorsen September 29, 2026
Motion to keep the pew incident out of clinic correspondence. It was one batard and it has since resigned. Six people have signed up. None owns a Saturday.
HT
Halima Thorsen September 29, 2026
Vera has only seen the flyer. You cannot judge the grigne before its reconciliation arc. Those ears may be stacking because they have nowhere else to turn.

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