About The Cosplay Courier

Staff

• Declan Voss

  Founding Editor

  A mechanical engineer who picked up a resin printer during lockdown and never looked back. Declan evangelizes for digital fabrication, embedded LEDs, and servo-driven wing mechanisms with the fervor of a Silicon Valley pitch deck. He writes the 'Forge Ahead' column, where every build log reads like a startup is about to IPO.

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  A mechanical engineer who picked up a resin printer during lockdown and never looked back. Declan evangelizes for digital fabrication, embedded LEDs, and servo-driven wing mechanisms with the fervor of a Silicon Valley pitch deck. He writes the 'Forge Ahead' column, where every build log reads like a startup is about to IPO.

• Imani Ink Adebayo

  Standards Correspondent

• Jerome St. Croix

  Civic Affairs Desk

  Came to cosplay sideways through professional makeup effects — fifteen years of monster suits and prosthetics for mid-budget horror films before the industry dried up and conventions paid better. Jerome covers SFX makeup, creature builds, and body paint with the unsentimental precision of someone who has glued latex to a screaming actor at 4 AM. He considers foam armor a hobby; silicone is a vocation.

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  Came to cosplay sideways through professional makeup effects — fifteen years of monster suits and prosthetics for mid-budget horror films before the industry dried up and conventions paid better. Jerome covers SFX makeup, creature builds, and body paint with the unsentimental precision of someone who has glued latex to a screaming actor at 4 AM. He considers foam armor a hobby; silicone is a vocation.

• Kai Lindström

  Culture Columnist

  Started cosplaying eight months ago after a breakup and a surplus of craft supplies. Kai writes the 'First Timer's Forge' column, documenting every disaster, revelation, and moment of accidental genius with the bewildered honesty of someone who just learned what interfacing is. Their questions tend to expose things veterans forgot they didn't know.

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  Started cosplaying eight months ago after a breakup and a surplus of craft supplies. Kai writes the 'First Timer's Forge' column, documenting every disaster, revelation, and moment of accidental genius with the bewildered honesty of someone who just learned what interfacing is. Their questions tend to expose things veterans forgot they didn't know.

• Marguerite Tran

  Field Reporter

  Former theatrical costumer who spent twelve years dressing regional Shakespeare before discovering that convention halls held more drama than any stage. Marguerite covers traditional craftsmanship — hand-drafting patterns, fabric selection, historical accuracy — and writes about EVA foam the way a sommelier writes about boxed wine. Her columns read like love letters to the sewing machine, with occasional divorce proceedings.

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  Former theatrical costumer who spent twelve years dressing regional Shakespeare before discovering that convention halls held more drama than any stage. Marguerite covers traditional craftsmanship — hand-drafting patterns, fabric selection, historical accuracy — and writes about EVA foam the way a sommelier writes about boxed wine. Her columns read like love letters to the sewing machine, with occasional divorce proceedings.

• Noor Hassani

  Letters Editor

  Self-appointed cosplay contrarian who believes the community's sacred cows are mostly just cows. Noor writes the 'Against the Grain' column, arguing that accuracy is overrated, that contest culture is toxic, and that the best cosplay she ever saw was held together with safety pins and audacity. She is wrong at least thirty percent of the time and considers this an acceptable margin.

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  Self-appointed cosplay contrarian who believes the community's sacred cows are mostly just cows. Noor writes the 'Against the Grain' column, arguing that accuracy is overrated, that contest culture is toxic, and that the best cosplay she ever saw was held together with safety pins and audacity. She is wrong at least thirty percent of the time and considers this an acceptable margin.

• Ruthanne Okafor-Price

  Institutional Memory Desk

  Cosplay historian and recovering academic who left a half-finished dissertation on fan labor to write about the culture she kept citing. Ruthanne traces lineage — who wore it first, which forums debated it, what WorldCon panel started the argument — with the doggedness of someone who still formats mental footnotes. Her features are long, footnoted, and somehow always end up at a 1970s Star Trek convention.

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  Cosplay historian and recovering academic who left a half-finished dissertation on fan labor to write about the culture she kept citing. Ruthanne traces lineage — who wore it first, which forums debated it, what WorldCon panel started the argument — with the doggedness of someone who still formats mental footnotes. Her features are long, footnoted, and somehow always end up at a 1970s Star Trek convention.

• Sable Marwick

  Weekend Editor

  Competitive cosplayer with fifteen years of masquerade trophies gathering dust in a storage unit she writes about more than she'd like. Sable covers the judging circuit, armor wars, and the politics of who wins what and why — always from the position of someone who has been on both sides of the scoring table and found them equally absurd. She is tired. She is still here.

  Read full bio

  Competitive cosplayer with fifteen years of masquerade trophies gathering dust in a storage unit she writes about more than she'd like. Sable covers the judging circuit, armor wars, and the politics of who wins what and why — always from the position of someone who has been on both sides of the scoring table and found them equally absurd. She is tired. She is still here.

• Tomás Reyes-Gutiérrez

  Public Records Fellow

  A cosplay photographer turned writer who realized he had more opinions about the hobby than he could fit in an Instagram caption. Tomás covers the performance side — posing, presentation, the strange theater of the convention hallway — and writes about cosplay as a spectator sport with its own unwritten rules. His pieces wander through hotel lobbies like a flaneur with a press badge.

  Read full bio

  A cosplay photographer turned writer who realized he had more opinions about the hobby than he could fit in an Instagram caption. Tomás covers the performance side — posing, presentation, the strange theater of the convention hallway — and writes about cosplay as a spectator sport with its own unwritten rules. His pieces wander through hotel lobbies like a flaneur with a press badge.